Broadcast were an glish indietronica band formed in Birmingham in 1995 by Trish Kean (vocals, keyboards, guitar) and James Cargill (bass). Their musical style blded elemts of 1960s psychedelia with early electronic music and samples from esoteric sources; it earned the band a cult following.
Broadcast released three studio albums—The Noise Made by People (2000), Haha Sound (2003), and Tder Buttons (2005)—on Warp Records, as well as several EPs and a collaborative album with the Focus Group titled Broadcast and The Focus Group Investigate Witch Cults of the Radio Age (2009). Their final release was the soundtrack album Berberian Sound Studio (2013).
Aside from founding members Kean and Cargill, Broadcast expericed regular lineup changes. The band has included Roj Stevs (keyboards), Tim Felton (guitar), and Steve Perkins (drums). Keith York, Phil Jkins, Jeremy Barnes, Neil Bullock and Ash Sheehan have also featured in the band as touring or session drummers. From 2005 to 2011, Broadcast consisted only of the founding duo. Following the death of Kean, Cargill oversaw all remaining Broadcast activity.
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Kean (formerly of folk duo Hayward Winters) and Cargill met in the mid 1990s at the Ssateria psychedelic club, and formed Pan Am Flight Bag in 1995, ramed Broadcast after several concerts.
The band's first release in 1996, was the 7" single "Accidtals" (issued on Wurlitzer Jukebox Records), which was writt based around a sample from Joseph Losey’s 1967 film Accidt.
The 1999 Broadcast track "You Can Fall" was included on the soundtrack album for the film Morvern Callar, released by Warp in 2002.
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The group's debut studio album, The Noise Made by People, was released by Warp in March 2000. It was self-produced in the group's own recording studio after having be through three producers to get a particular sound.
Their second album, Haha Sound, was released in August 2003, preceded by two EPs, Microtronics Volume 01: Stereo Recorded Music for Links and Bridges and Pdulum. Recording sessions for the album took place in fragmts at various locations: Kean recorded vocal tracks with her head in a cardboard box which gave it a "closess and deadness that makes it sit in the mix a bit nicer, " while drummer Bullock recorded drum tracks in a neighborhood church before overdubbing guitar tracks and additional arrangemts.
Felton departed after Haha Sound to form a new project, Seeland, with touring keyboardist Billy Bainbridge (formerly of fellow Birmingham Warp act, Plone).
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Broadcast's next album, Tder Buttons, was issued in September 2005. It was their first album as a duo of Kean and Cargill. On tour they were joined by Ash Sheehan on drums and James’s brother Bill on guitar and keyboards. A second compilation of B-sides and rarities, The Future Crayon, was issued in August 2006.
Broadcast released a collaborative album with the Focus Group (aka graphic designer and Ghost Box label co-owner Julian House) called Broadcast and the Focus Group Investigate Witch Cults of the Radio Age in October 2009. The band was chos by Matt Groing to perform at the All Tomorrow's Parties festival he curated in May 2010 in Minehead, Somerset, gland.
Kean died on 14 January 2011 at the age of 42, following complications with pneumonia, which she suffered from after earlier contracting H1N1.
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Cargill, the sole remaining member, said in a 2011 interview with Under the Radar that a new Broadcast album was in the works, featuring vocals recorded by Kean shortly before her death.
He later said: "Trish left a lot of tapes, four-tracks and stuff, and I've be going through those. It's difficult, and I'm connected to it at the same time. It's wonderful, but I'm also feeling a sse of loss. The next thing I release with Trish on it will be more like a monumt and a tribute to her rather than this obsessive thing I used to have about making albums."
Broadcast were credited with providing the soundtrack Berberian Sound Studio for the 2012 film of the same name; the soundtrack was released 7 January 2013.
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Cargill formed the project Childr of Alice with House and former Broadcast member Stevs; they released their eponymous debut album in February 2017. The group's name is a tribute to Kean, who had cited Alice in Wonderland as a main inspiration.
FACT described Broadcast's music as blding "pop songcraft and experimtally-minded electronic music into a contemporary bld of psychedelia that resonated deeply with listers".
The Guardian described their work as incorporating direct pop while "mixing together influces such as the primitive electronics of the BBC Radiophonic Workshop, 1970s public information films, Czech surrealism, Moog organ, forgott film soundtracks and kitsch ephemera."
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A mixture of electronic sounds and Kean's 1960s-inspired vocals, the band is heavily influced by the 1960s American psychedelic group the United States of America,
And in a 2007 interview, she stated that the group aspired with each album to "make a soundtrack for a film that doesn't exist."
The group's musical output, according to journalist Mikey Jones, "fused the worlds of pop songcraft and experimtally-minded electronic music into a contemporary bld of psychedelia that resonated deeply with listers, effectively expanding the convtions of what could be considered psychedelic."
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Kean's first love had be primarily folk music, but this influce was downplayed in the early years of Broadcast due to Cargill's initial dislike of the gre. However, it became promint as the band's sound became more op towards experimtation.
Other recurrt elemts in the band's music (particularly their first two albums) were "scice fiction" atmospheres and "skewed variants" of swing and jazz music, which "offered a Euroctric counterpoint to the mostly American psych innovators they’d imbibed."
In a review published in Spin in 2001, the band were unfavourably liked to being "stuck in a time warp–the sound of '70s wife-swapping parties with beanbags and unhappy childr serving sausages on sticks."
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The band's recording gear and methods were profiled in a 2003 article in Electronic Musician, in which it was noted that they recorded many of their guitar arrangemts (played at that time on a 1960s Italian Eko Edsel) through microphones, rather than through a DI unit.
Additional instrumts, including the vibraphone, timpani, clarinets and organ were recorded and subsequtly fed through a speaker again in order to be re-recorded with microphones.
Their private studio setup included an AKG BX-15, a Fostex rackmount coil reverb amplifier and an Acutronics tray (originally sourced from a Fder amplifier.)
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Their recording setup also included a MOTU 2408 hard-disk recording system, an Apple Mac G4, a Fder Rhodes, a Vox Contintal and a Korg MS-20.
Commting on the production of their third album, Haha Sound, Kean said: "You know wh it feels overworked. We used more of a minimalist approach on this album: There has be less emphasis on decoration and more on repetitive parts that go through the tracks. They are not the focus for your ear, but they are the foundation."
"I used to get nervous like the whole of that day of the show, and now it only happs the momt I walk onstage, " she later said in a 1998 interview. "Wh you list to me sing my first line, you can always tell my heart is in my throat. Headlining gigs is a confidce booster."